Tuesday, April 29, 2014

The Skinking of the Lusitania. Animation by Winsor McCay, Music by Skully

21 Jan 2014 Write based on Skully's Video:

The vintage animation and narrative text of Winsor McKay’s The Sinking of the Lusitania will spellbind you; while Skully’s vivid orchestration will stimulate your senses bringing the story to life.

Skully has packed this soundtrack with his clever sound effects and expressive music such as the click of an old fashioned reel to reel movie projector, the ship’s duty watch bells, the intimidating sonar pings of the immoral submarine, rousing percussion and perfectly placed piano medleys that speak volumes.

Stimulating layers of percussion introduce the busy pace of the animators creating the 25,000 dramatic frames which made up the first record of the Sinking of the Lusitania.

Music intensifies with what could be a piano portrayal of Morse code when the narrative addresses the warnings issued by the German Embassy in New York {don’t miss the Statue of Liberty.}

A chilling rush of air sets up the eerie images of the villainous German submarine U-39 lurking in the nearby sea.

The music takes breathtaking pause just before the first torpedo hits Lusitania.

The movingly sombre piano melody could swell your chest with disappointment as the narrative frames identify some of the more prominent victims.

Skully’s music erupts in anger; while the narrative attempts to put a diverse spin on the obituaries, quoting an observation from the smiling Charles Frohman: ”Death is but a beautiful adventure”.

The layers of passionate piano and deep bass music elaborate the sense of desperation the passengers must have been experiencing as they struggled to the lifeboats.

Then, a baritone piano and bass cello articulate the horror of the second and fatal torpedo which caused the definitive destruction and massive loss of lives.

The profoundness of the catastrophe can be deeply felt here as Skully constructs his expressive annotations in a crescendo of music.

A weeping probing piano medley at 8:04 brought me a heavy heart as images of “The babe who clung to his mother’s breast [7:37]...” pierced my mind.

The fade to silence and stark white at the end of this video afford the viewer a contemplative moment to grasp what has just been a most shattering experience.

Winsor McCay 1906


Compton Family

http://youtu.be/T1tQ1_i2IQU

Thursday, April 17, 2014

WITHOUT A VOICE 2 ~ Skully’s Electronic Voice.

Once again, Skully has tempted us into visualizations of his world with his Electronic Voice. Each of his music creations tells a story from deep within his heart and soul. It is up to the listener to form the images as they ‘hear it’. The amazing bonus in a Skully soundscape, is that you will hear new musical effects each time you listen; thus creating a fresh experience.

If you [like I] have been impatiently waiting for new music from the Tall Irish master of layering creative electronic music; you will be richly rewarded with the Without A Voice 2 album from Skully.

I am enthralled with EVOLUTION OF A SOUL and DIGITAL POLLEN. {As well as Being Indulgent 1st Movement; Soft Flowery Robots; Punishment; and Little April}. And yes, Seth [my 2008 Nissan Sentra with a fabulous sound system] really likes TANGO IN A MINI.

Sure this WOAV 2 album is stiff competition [as my all-time fav CD] for the original WOAV for me.

I would like to make a special mention of The Fireman’s Garden in which Skully’s remarkable music brings you through the emotions of 9/11 and intently guides you to a wonderfully tangible place for commemoration of the brave fire fighters who lost their lives trying to save innocent victims – The Firemen’s Garden aka the Garden of Remembrance in Ringfinnan, Kinsale, Ireland. I invite you to read my Blog (of the same name).

Skully Fans: What is/are your favourite track(s)?
https://itunes.apple.com/us/album/without-a-voice-vol.-2/id828484162

https://itunes.apple.com/us/album/without-a-voice-vol.-2/id828484162